Use @image1 as the main base scene and environment reference. Use @image2 as the exact 1:1 identity reference for the only new man entering the scene. Create an ultra-realistic cinematic action scene in one continuous shot. Start exactly from @image1: the armed man is standing inside the elevator holding a prop gun, and the red-shirt man is standing in the hallway facing him. Preserve the elevator, hallway, walls, lighting, camera angle, clothing, faces, and cinematic quality exactly as in @image1. Only the man from @image2 enters the scene and performs the action. The two characters from @image1 must not turn into different people, must not change faces, must not change clothes, and must stay visually identical to the original frame. The man from @image2 enters from the opposite side of the red-shirt man, from the side angle, moving fast and confidently. His face must look exactly like @image2, 1:1 facial identity match, same hairstyle, same body shape, same burgundy polo shirt, same white pants, same proportions. No face drift, no morphing, no different person. He quickly approaches the elevator, grabs the armed man by the arm and shoulder, pulls him out of the elevator in a realistic staged movie-combat motion, and knocks the prop gun safely away from his hand. Then @image2 gives the armed man one sharp staged slap to the face. After that, @image2 turns toward the red-shirt man and gives him one sharp staged slap too. The action should look like a dramatic movie scene, intense but non-graphic. No blood, no injury, no gore. The armed man reacts with shock and steps backward. The red-shirt man also reacts with surprise and slightly steps back. @image2 remains in control of the scene, standing between both characters with a serious and dominant expression. Camera movement: one continuous handheld cinematic shot, slight pan toward @image2 as he enters, small natural reaction shake during the staged slaps, quick reframe to keep all three characters visible, then subtle push-in on @image2 at the end. No hard cuts, no sudden zoom, no random camera shake. Identity lock: @image2 must remain exactly the same person as the reference image, 1:1 face match, same outfit, same hair, same body shape. The two characters from @image1 must remain exactly the same as in the original scene. No face morphing, no identity drift, no changing clothes, no extra people, no background changes. Quality: ultra-realistic cinematic drama, realistic body physics, natural hand contact, believable staged combat, stable lighting, sharp details, movie-like tension. Negative prompt: low quality, blurry face, face morphing, identity drift, wrong person, changed face, changed clothes, changed hairstyle, bad anatomy, deformed hands, extra fingers, broken limbs, floating limbs, robotic motion, unnatural physics, teleporting, extra people, random objects, background changes, flicker, glitch, frame jitter, plastic skin, hard cuts, fast zooms, extreme camera shake, cartoon, anime, blood, gore, graphic injury, real violence, unsafe gun handling.

Zoom-in medium shot, ultra-realistic Korean live sports broadcast during a major FC Barcelona vs Real Madrid football match inside a packed stadium. A mysterious spectator is accidentally captured by the stadium crowd camera during a quiet pause in the match. Calm, distant, emotionally unreadable, fully absorbed in the game and unaware of the camera. No posing or exaggerated emotion — just a real ordinary fan lost in thought. The subject wears layered Korean stadium fashion: an oversized football jersey over a dark long-sleeve shirt, relaxed casual fit, subtle accessories, holding blue inflatable thunder sticks naturally in both hands. Medium-shot waist-up framing with the stadium environment visible around the subject. Slow cinematic zoom-in through the sequence. The subject remains the only thing in sharp focus while the crowd stays heavily blurred with creamy telephoto bokeh. Minimal natural movement only: slow blinking, subtle breathing, tiny eye tracking, small head movement, slight hand shifts. Shot 1 (0–3s) — Medium-wide shot: The subject sits among cheering fans during the Barcelona vs Real Madrid match. Eyes fixed on the off-screen game. Slow blink. Slight breathing movement. A loose strand of hair shifts naturally. Slow zoom-in begins. Feels like a candid live-TV crowd-cam moment. Shot 2 (3–6s) — Tight medium close-up: Eyes slowly follow the game action. Natural blink. Lips slightly parted with soft breathing. Tiny swallow. Small eye focus shift before returning to the match. Expression remains restrained and mysterious. Slow zoom continues. Shot 3 (6–10s) — 3/4 side medium shot: The subject quietly watches the match. One slow blink. Thunder sticks shift slightly in the hands. Tiny head tilt. No smile or dramatic reaction — only calm focus on the game. Final zoom-in ends softly. Authentic football stadium ambience: layered crowd noise, fan chants, thunder stick sounds, distant shouts, ball kicks, referee whistles, stadium announcer ambience, occasional crowd surges, and match atmosphere. No dialogue. Ultra-realistic skin texture, cinematic stadium lighting, shallow depth of field, creamy telephoto blur, Korean tvN Sports / SBS Sports broadcast realism, Sony sports broadcast camera look, subtle live-TV compression artifacts, documentary realism, 24fps, smooth cinematic cuts, realistic sports crowd-cam aesthetic. Aspect ratio: 9:16 vertical. Ultra-realistic, cinematic vertical sports broadcast look.

change the environment in @video_1 to match the lighting in @image_1

Static medium close-up, then the camera begins a SLOW 360° CLOCKWISE ORBITAL rotation around his head in CINEMATIC MACRO. As the camera orbits past his ear, tiny green grass blades start sprouting from the collar and shoulders of his black puffer jacket in slow-motion at 20% speed. The camera continues orbiting — reaching his profile view, grass spreads upward from the jacket onto his neck, individual stems pushing through fabric in extreme macro detail. Daisies begin blooming along his jawline, white petals unfurling slowly. The camera completes its orbit — now his entire face is being consumed by thick grass and wildflowers growing in real-time, covering eyes, nose, mouth. The orbital camera never stops rotating. Final position: full grass and daisy sculpture head, the jacket partially overgrown. Continuous smooth orbit throughout, shallow depth of field, photorealistic macro cinematography.

KLING 3.0 START FRAME END FRAME. POV shot. Camera rigidly locked on the seated man, perfectly centered, no camera movement. The man stays 100% sharp when in focus. START A realistic honey bee (back view) is hovering low above the water in front of the scene. Focus is on the bee (sharp), background and man slightly blurred. PRE-FLIGHT Subtle vibration only on the bee. Environment natural and still. Focus remains locked on the bee. TAKEOFF The bee accelerates forward toward the man. Focus continues tracking the bee (bee sharp, environment blurred). FLIGHT The bee flies fast through grass and flowers. When reaching dense bushes, the vegetation DOES NOT open or separate automatically. The bee navigates ONLY through existing natural gaps between leaves and branches. Leaves and flowers react strictly from real physical interaction and airflow only: slight bending on contact soft elastic deformation micro delay (natural inertia) before movement subtle secondary motion after contact gentle return to original position with natural damping no path clearing no automatic opening Add micro physics realism: small leaf lag and follow-through motion tiny vibration after contact subtle variation in movement (not uniform) realistic weight and stiffness differences between leaves Strong foreground–midground–background parallax. Only environment motion blur, the bee stays perfectly sharp. FOCUS SHIFT (IMPORTANT) As the bee exits the bushes and flies to the right side of the frame, focus smoothly transitions from the bee to the man. FINAL The bee continues flying to the right side, becoming slightly out of focus. The man becomes fully sharp and in focus, centered and still. STYLE Ultra-realistic Single continuous shot Natural cinematic focus pull NEGATIVE No camera movement No plant auto-opening No subject blur when in focus No unrealistic focus jump No transformation